Mark-Anthony Turnage 50th Birthday Concert

Birthday Concert celebrating the works on Mark-Anthony Turnage, including previous BCMG commission Kai

Conductor: Oliver Knussen
Violin: Alexandra Wood +
Cello: Ulrich Heinen *

Programme
Mark-Anthony Turnage: Crying Out Loud
Mark-Anthony Turnage: Three for two (UK premiere)
Mark-Anthony Turnage: Kai* (BCMG commission 1990)
Charlotte Bray: Caught in Treetops+ (world premiere by BCMG/Sound and Music Apprentice Composer-in-Residence)

Hans Werner Henze: Adagio Adagio
Mark-Anthony Turnage: Dark Crossing

We are delighted to celebrate Mark-Anthony Turnage’s 50th
birthday year in our 2010/11 season, in a concert conducted by
Turnage’s former teacher Oliver Knussen, BCMG
Artist-in-Association and winner of this year’s Royal
Philharmonic Society Conductor Award.

Twenty-one years have passed since Three Screaming Popes was
premiered by Sir Simon Rattle and the CBSO, marking the happy beginning
of Turnage’s four-year residency in Birmingham and laying the
foundations of Birmingham Contemporary Music Group’s strong
relationship with one of Britain’s foremost composers.

No piece symbolises this strong relationship better than Turnage’s Kai and it is fitting that our birthday celebrations include what is one of our most successful commissions to-date. Kai
was premiered by BCMG, Ulrich Heinen and Sir Simon Rattle in December
1990. This jazz-influenced cello concerto was written in memory of Kai
Scheffler (principle cellist of Frankfurt’s Ensemble Modern at
his tragically early death) and features music from an aria entitled Sleep On from Turnage’s abandoned opera, Mingus.

Performed either side of Kai
are three more Turnage works – all full of the jazz-infl uenced
energy and rhythms that have filled his vivid sound world to date.
Oliver Knussen conducted the premieres of both Crying Out Loud, a boisterous and extrovert Ensemble Modern commission from 2003, and Dark Crossing, written for the London Sinfonietta in 2000. Completing our Turnage snapshot, we give the UK premiere of Three for two, a piano quartet written for conductor Christophe Eschenbach’s 70th birthday in February this year.

Oliver Knussen, a long-standing supporter of Mark-Anthony Turnage, has
also been a mentor for our Apprentice Composer-in-Residence, Charlotte
Bray, whose new violin concerto is given its world premiere. Hans
Werner Henze is represented by his short but typically intense and
beautiful piano trio Adagio, adagio.
That Henze was an important mentor for Turnage, and Bray a former pupil
of his, adds a nice touch to the evening’s celebrations.

There
will be a pre-concert talk at 7pm with Mark-Anthony Turnage and
Charlotte Bray, open to all ticket holders, lasting approx. 30 minutes.

The BCMG/Sound and Music Apprentice Composer-in-Residence scheme is generously supported by The Leverhulme Trust.