Frequently Asked Questions
Are you the BMIC/Contemporary Music Network/Sonic Arts Network/spnm?
The BMIC, Contemporary Music Network, Sonic Arts Network and spnm are Sound and Music's founder organisations. They are no longer active, so you can't find them at their old addresses and their websites are no longer updated, but many of their programmes and services will be continued and developed by us. You can contact us for any information regarding the founder organisations from now on.
Can I be on the New Voices or Contemporary Voices schemes?
The New Voices and Contemporary Voices schemes no longer run, but you can find details of Embedded, our new professional development scheme for composers and artists here.
Can I get on The Shortlist?
The Shortlist is no longer active as a scheme, but you can find details of Embedded, our new professional development scheme for composers and artists here.
Can I submit pieces to The Collection?
Priority at the moment is to ensure the current
collection is accessible as soon as possible.
A new acquisitions policy will be in place by later this year, when we look forward to accepting new material.
Can I visit The Collection?
The collection is available for consultation within the Music Library
at the University of Huddersfield and can be accessed by making a
weekday appointment. The collection is made available for reference only
and cannot be loaned or removed from the library. Access is open to the
general public, as well as university staff and students.
If you would like to arrange a visit, please contact Huddersfield Music Library by emailing: bmc@hud.ac.uk. Please indicate the nature of your request so that we can best help you.
Can you supply scores for performance to me?
ou can use our catalogue to guide you in obtaining hard-copy score materials. If you wish to obtain a copy of a score for performance, you should contact the artist and/or publisher directly. If in doubt, contact Sound and Music for more information.
Please note that Sound and Music cannot supply copies of recordings from the collection, for reasons of copyright.
